"This week on A Prairie Home Companion we'll bring you a live broadcast
performance from the Civic Center Auditorium in Bangor, Maine. Featuring
Pulitzer Prize winning poet Maxine Kumin, the David Mallet Trio, and a
comprehensive artistic rediscovery of our regular cast: The Guy's All-Star Shoe
Band with Rich Dworsky, Pat Donohue, Gary Raynor, Andy Stein, and Peter Johnson,
The Royal Academy of Radio Actors: Tim Russell, Sue Scott, and Fred Newman, and
that gangly guy with the socks. Join us this week, live from the Queen City of
the East."I just got home from the live broadcast of this show. I will blog more regarding this in the morning.
Saturday, May 3, 2008
A Prairie Home Companion from American Public Media
A Prairie Home Companion from American Public Media:
MPR: Wonderground Radio
MPR: Wonderground Radio
This is a great stream. MPR offers HD radio which allows them to broadcast several streams of content at once. Wonderground caters to the college radio demographic, some of you included may yawn at the mere mention of Public Radio, but it offers intelligent, non biased programing nation wide. Visit NPR.org to find your local station. And remember in an age where Apple and Wal-Mart hold the greatest market share of music lovers, public radio is funded by you, me, my mom, and other good folks looking for quality news, music, and entertainment.
Here is a play list from the last few hours:
8:57
Alif Tree - Forgotten Places
8:53
The New Pornographers - My Rights Versus Yours
8:49
Lucinda Williams - Are You Alright?
8:45
Bebel Gilberto - So Nice (Summer Samba)
8:41
Tony Bennett - Fly Me To The Moon
8:34
Jose Gonzalez - Down The Line
8:29
Neil Young - Harvest Moon
8:20
Imogen Heap - Hide And Seek
8:17
Elvis Presley - Can't Help Falling In Love
8:12
Billie Holiday - Yesterdays (Junior Boys Remix)
8:08
The Shins - New Slang
7 - 8 PM
7:59
The Staple Singers - The Weight
7:55
Breakestra - How Do You Really Feel (
7:50
Mark Knopfler - Punish The Monkey
7:42
Herb Alpert's Tijuana Brass - Whipped Cream remixed by Anthony Marinelli featuring Ozomatli
7:40
The Jesus and Mary Chain - Sometimes Always
7:33
LCD Soundsystem - Someone Great
7:28
Bob Dylan - Someday Baby
7:25
Johnny Cash - Rusty Cage
7:16
B. B. King - The Thrill Is Gone
7:13
Calexico - Yours and Mine
7:08
Portishead - Wandering Star
7:01
DJ Shadow - Fixed Income
This is a great stream. MPR offers HD radio which allows them to broadcast several streams of content at once. Wonderground caters to the college radio demographic, some of you included may yawn at the mere mention of Public Radio, but it offers intelligent, non biased programing nation wide. Visit NPR.org to find your local station. And remember in an age where Apple and Wal-Mart hold the greatest market share of music lovers, public radio is funded by you, me, my mom, and other good folks looking for quality news, music, and entertainment.
Here is a play list from the last few hours:
8:57
Alif Tree - Forgotten Places
8:53
The New Pornographers - My Rights Versus Yours
8:49
Lucinda Williams - Are You Alright?
8:45
Bebel Gilberto - So Nice (Summer Samba)
8:41
Tony Bennett - Fly Me To The Moon
8:34
Jose Gonzalez - Down The Line
8:29
Neil Young - Harvest Moon
8:20
Imogen Heap - Hide And Seek
8:17
Elvis Presley - Can't Help Falling In Love
8:12
Billie Holiday - Yesterdays (Junior Boys Remix)
8:08
The Shins - New Slang
7 - 8 PM
7:59
The Staple Singers - The Weight
7:55
Breakestra - How Do You Really Feel (
7:50
Mark Knopfler - Punish The Monkey
7:42
Herb Alpert's Tijuana Brass - Whipped Cream remixed by Anthony Marinelli featuring Ozomatli
7:40
The Jesus and Mary Chain - Sometimes Always
7:33
LCD Soundsystem - Someone Great
7:28
Bob Dylan - Someday Baby
7:25
Johnny Cash - Rusty Cage
7:16
B. B. King - The Thrill Is Gone
7:13
Calexico - Yours and Mine
7:08
Portishead - Wandering Star
7:01
DJ Shadow - Fixed Income
Man asks court to change his name to "In God We Trust"
ZION, Ill. -- Steve Kreuscher wants a judge to allow him to legally change his name. He wants to be known as "In God We Trust."
Kreuscher (CROY'-shir) says the new name would symbolize the help God gave him through tough times.
The 57-year-old man also told the (Arlington Heights) Daily Herald he's worried that atheists may succeed in removing the phrase "In God We Trust" from U.S. currency.
He recalls that the phrase "God Reigns" was removed from the Zion city seal in 1992 after courts deemed it unconstitutional. Zion was founded as a theocracy - by a sect that believed the Earth was flat.
The school bus driver and amateur artist in the northern Chicago suburb says he has filed a petition to change his name in Lake County Circuit Court.
DisplayOAS3 = '1'
Kreuscher (CROY'-shir) says the new name would symbolize the help God gave him through tough times.
The 57-year-old man also told the (Arlington Heights) Daily Herald he's worried that atheists may succeed in removing the phrase "In God We Trust" from U.S. currency.
He recalls that the phrase "God Reigns" was removed from the Zion city seal in 1992 after courts deemed it unconstitutional. Zion was founded as a theocracy - by a sect that believed the Earth was flat.
The school bus driver and amateur artist in the northern Chicago suburb says he has filed a petition to change his name in Lake County Circuit Court.
DisplayOAS3 = '1'
Friday, May 2, 2008
Saturday, April 26, 2008
Treatment Of Circus Animals?
I'm going to the Shrine Circus today, interested in information regarding how they treat animals. Anyone know the history or facts regarding the Shriner's treatment of performance animals. My two daughters are quite excited but I would hate to think we were supporting any cruel or inhumane treatment of animals.
Friday, April 11, 2008
Essential Alt-Country
For its first decade, No Depression -- the magazine I co-founded and have co-edited since its inception in 1995 -- sought to describe alternative-country, in the vaguest of possible terms: "Whatever that is," was the definition we declared on our cover. We've since adopted a new tagline ("surveying the past, present, and future of American music") to acknowledge the broader blend of genres we address in our pages, but alt-country remains a major focal point. Indeed, artists working within the genre (if, in fact, you accept the theory of its existence) have produced some of the finest works of melodic and lyrical songcraft on the American popular music landscape. If precious few of them have become raging mainstream favorites, they've nevertheless often found devoted and passionate audiences, and they deserve recognition and a place in the collections of those who value that most fundamental artistic achievement, a profound emotional impact upon the listener. Here, then, are 12 of the finest examples of alt-country to date. It's hard to call these necessarily the best -- there are too many records out there that would have to be considered for such an undertaking -- but all of these would be valuable additions to any comprehensive survey of essential alternative-country music.
Down To The Promised Land: 5 Years Of Bloodshot RecordsArtist: Various Artists - Bloodshot Records Release Date: 2000
The initial "insurgent country" compilations from Bloodshot Records (For a Life of Sin and Hell-Bent) played a minor role in establishing a premise that an alt-country magazine was viable when we started No Depression in 1995. Those two discs are more historically significant, but the full flowering of what transpired over the next few years is best exemplified by Down to the Promised Land, a two-disc collection released in 2000. Combining previously unreleased first-rate original songs from the likes of Neko Case, Mike Ireland and Ryan Adams with revelatory covers from such mainstays as the Waco Brothers (the Who's "Baba O'Riley") and Alejandro Escovedo (Mick Jagger's "Evening Gown"), Bloodshot celebrated its fifth anniversary in grand style.
Happy Woman BluesArtist: Lucinda Williams
My initial exposure to Lucinda Williams came through other artists' versions of her songs. Though she became an alt-country icon in the '90s, she was still largely unknown when Happy Woman Blues came out in 1980. The songs got around surely enough over the years among her fellow songwriters, especially in Texas; by the late '80s, you could walk into an Austin bar on any given night and hear the likes of Butch Hancock covering "Sharp Cutting Wings," Jimmie Dale Gilmore singing "Howling At Midnight" or David Halley doing "I Lost It." Maybe the best cover came a few years later when the Damnations recorded a scorching version of "Happy Woman Blues."
HeartbreakerArtist: Ryan Adams Release Date: 2000
In hindsight, it's hard to tell whether Adams' 2000 solo debut was his last lingering dance with alt-country or his first tentative step away from it. After the demise of Whiskeytown on the heels of their acclaimed albums in the mid-late '90s, Adams clearly wanted to go in another direction, as his subsequent major-label efforts demonstrated. But Heartbreaker was a resplendent pause between phases; though he moved toward Beatlesque pop on "Amy," he reconnected with his country roots on "Oh My Sweet Carolina" (with help from Emmylou Harris). Overall, it remains Adams' finest solo disc.
BegoniasArtist: Caitlin Cary And Thad Cockrell Release Date: 2005
Call this one a local favorite, perhaps -- over several years spent in the North Carolina triangle area, I got to know both of these artists fairly well -- but Cary & Cockrell hardly need the personal endorsement or the geographical context to win over whoever hears their music. On their own, both have put out excellent records (Cary originally as a member of Whiskeytown); together they hit a stride neither of them had previously quite matched. There are many moments of classic country duet wonder here, but also great pop/rock ("Second Option"), achingly soulful balladry (Percy Sledge's "Warm And Tender Love") and beautiful original gospel (the closing "Big House").
SebastopolArtist: Jay Farrar Release Date: 2001
With Uncle Tupelo and Son Volt, Jay Farrar made many of the records that came to define alt-country. His solo debut in 2001 was perhaps a slightly different sonic excursion, but for the most part his songwriting style stayed in sync with the best aspects of his band projects. Gillian Welch and David Rawlings brought a little more country to the proceedings on "Barstow," while the Flaming Lips' Steven Drozd upped the "alt" quotient with sweeping string-synth accents on several tracks.
Georgia HardArtist: Robbie Fulks Release Date: 2005
With songs such as "She Took a Lot of Pills and Died" and the anti-Nashville anthem "Fuck This Town," Robbie Fulks established himself as an alt-country songwriting wunderkind right out of the gate when he came on the scene in the mid-'90s. His finest work, though, came many years later. On 2005's Georgia Hard, Fulks molds the full range of his multifaceted talent into a cohesive whole, from classic country compositions ("Leave It to a Loser") to instantly catchy roots-pop ("Where There's a Road") to offbeat humor ("Countrier Than Thou") to poignant portraiture ("Doin' Right for All the Wrong Reasons").
Young Criminals' Starvation LeagueArtist: Bobby Bare, Jr. Release Date: 2002
Though he'd had a minor alt-rock radio hit with his band Bare Jr., it wasn't until he added his first name back into the equation for this 2002 solo debut that Bobby fully came into his own as a songwriter. From the unstoppably catchy opening track "I'll Be Around" to the hilarious sketch "Monk at the Disco" to the Lone Star State ode "Stay In Texas" to a cover of his late mentor Shel Silverstein's "Painting Her Fingernails," this record is filled with the kind of creativity and personality that fuels the best of alt-country (or any genre, for that matter).
Sky And The OceanArtist: Volebeats Release Date: 1997
Though they never quite rose to the alt-country forefront a la Son Volt, Wilco, Whiskeytown and the Old 97's, the Volebeats have made some of the best roots-based pop records of the last 10 years. Steeped in memorable melodies and jangling guitars set to stories of romance and nostalgia, the Volebeats' sound is simple and classic yet hard to forget once their songs have worked their way into your head. This 1997 release remains their best, highlighted by the heartbreaking ballad "Two Seconds" (later covered by alt-country chanteuse Laura Cantrell).
EmotionalismArtist: The Avett Brothers Release Date: 2007
It's not hard to find lively and talented young string bands these days, but few possess the magic spark of North Carolina's Avett Brothers (a trio consisting of two brothers and their bass-playing friend). Early on, the Avetts earned a reputation for transcendent live performances but never quite seemed to reach that same level in the studio. On Emotionalism the pieces finally came together; they put less emphasis on trying to document their stage persona and instead concentrated on the considerable pop potential of their songwriting. The result is an album that marries Beatlesque melody to old-time/folk/bluegrass instrumentation with the Avetts' punk roots showing in attitude and energy.
Universal United House of PrayerArtist: Buddy Miller Release Date: 2004
If an MVP award for alternative-country were to be awarded for the last decade or so, it would almost certainly have to go to Buddy Miller, whose credits range from playing guitar on major records by Emmylou Harris, Steve Earle and Lucinda Williams to producing albums for the likes of Solomon Burke and Jimmie Dale Gilmore to co-writing songs for mainstream megastars such as the Dixie Chicks and Brooks & Dunn. Notwithstanding all that, Miller's primary asset is his voice; he's one of the great country singers of his time, even when he's tackling decidedly non-country material -- as evidenced by his landmark cover of Bob Dylan's "With God on Our Side" on this record, his career best.
Time (The Revelator)Artist: Gillian Welch Release Date: 2001
In retrospect, this record's darker themes seem to echo with the gravity of 9/11, though in fact it was released a few weeks before that fateful day. Coincidental prescience aside, Time (The Revelator) stands as Gillian Welch's crowning achievement to date, loaded with emotionally resonant lyricism lit afire by the brilliant musicianship of her partner David Rawlings. Previous albums proved Welch's mastery of traditional form and feel; on Revelator, she and Rawlings struck a more personal chord of artistic expression. The result, from the spellbinding title-track opener to the epic 14-minute closer "I Dream a Highway," firmly established the duo as one of the major talents of their generation.
Down To The Promised Land: 5 Years Of Bloodshot RecordsArtist: Various Artists - Bloodshot Records Release Date: 2000
The initial "insurgent country" compilations from Bloodshot Records (For a Life of Sin and Hell-Bent) played a minor role in establishing a premise that an alt-country magazine was viable when we started No Depression in 1995. Those two discs are more historically significant, but the full flowering of what transpired over the next few years is best exemplified by Down to the Promised Land, a two-disc collection released in 2000. Combining previously unreleased first-rate original songs from the likes of Neko Case, Mike Ireland and Ryan Adams with revelatory covers from such mainstays as the Waco Brothers (the Who's "Baba O'Riley") and Alejandro Escovedo (Mick Jagger's "Evening Gown"), Bloodshot celebrated its fifth anniversary in grand style.
Happy Woman BluesArtist: Lucinda Williams
My initial exposure to Lucinda Williams came through other artists' versions of her songs. Though she became an alt-country icon in the '90s, she was still largely unknown when Happy Woman Blues came out in 1980. The songs got around surely enough over the years among her fellow songwriters, especially in Texas; by the late '80s, you could walk into an Austin bar on any given night and hear the likes of Butch Hancock covering "Sharp Cutting Wings," Jimmie Dale Gilmore singing "Howling At Midnight" or David Halley doing "I Lost It." Maybe the best cover came a few years later when the Damnations recorded a scorching version of "Happy Woman Blues."
HeartbreakerArtist: Ryan Adams Release Date: 2000
In hindsight, it's hard to tell whether Adams' 2000 solo debut was his last lingering dance with alt-country or his first tentative step away from it. After the demise of Whiskeytown on the heels of their acclaimed albums in the mid-late '90s, Adams clearly wanted to go in another direction, as his subsequent major-label efforts demonstrated. But Heartbreaker was a resplendent pause between phases; though he moved toward Beatlesque pop on "Amy," he reconnected with his country roots on "Oh My Sweet Carolina" (with help from Emmylou Harris). Overall, it remains Adams' finest solo disc.
BegoniasArtist: Caitlin Cary And Thad Cockrell Release Date: 2005
Call this one a local favorite, perhaps -- over several years spent in the North Carolina triangle area, I got to know both of these artists fairly well -- but Cary & Cockrell hardly need the personal endorsement or the geographical context to win over whoever hears their music. On their own, both have put out excellent records (Cary originally as a member of Whiskeytown); together they hit a stride neither of them had previously quite matched. There are many moments of classic country duet wonder here, but also great pop/rock ("Second Option"), achingly soulful balladry (Percy Sledge's "Warm And Tender Love") and beautiful original gospel (the closing "Big House").
SebastopolArtist: Jay Farrar Release Date: 2001
With Uncle Tupelo and Son Volt, Jay Farrar made many of the records that came to define alt-country. His solo debut in 2001 was perhaps a slightly different sonic excursion, but for the most part his songwriting style stayed in sync with the best aspects of his band projects. Gillian Welch and David Rawlings brought a little more country to the proceedings on "Barstow," while the Flaming Lips' Steven Drozd upped the "alt" quotient with sweeping string-synth accents on several tracks.
Georgia HardArtist: Robbie Fulks Release Date: 2005
With songs such as "She Took a Lot of Pills and Died" and the anti-Nashville anthem "Fuck This Town," Robbie Fulks established himself as an alt-country songwriting wunderkind right out of the gate when he came on the scene in the mid-'90s. His finest work, though, came many years later. On 2005's Georgia Hard, Fulks molds the full range of his multifaceted talent into a cohesive whole, from classic country compositions ("Leave It to a Loser") to instantly catchy roots-pop ("Where There's a Road") to offbeat humor ("Countrier Than Thou") to poignant portraiture ("Doin' Right for All the Wrong Reasons").
Young Criminals' Starvation LeagueArtist: Bobby Bare, Jr. Release Date: 2002
Though he'd had a minor alt-rock radio hit with his band Bare Jr., it wasn't until he added his first name back into the equation for this 2002 solo debut that Bobby fully came into his own as a songwriter. From the unstoppably catchy opening track "I'll Be Around" to the hilarious sketch "Monk at the Disco" to the Lone Star State ode "Stay In Texas" to a cover of his late mentor Shel Silverstein's "Painting Her Fingernails," this record is filled with the kind of creativity and personality that fuels the best of alt-country (or any genre, for that matter).
Sky And The OceanArtist: Volebeats Release Date: 1997
Though they never quite rose to the alt-country forefront a la Son Volt, Wilco, Whiskeytown and the Old 97's, the Volebeats have made some of the best roots-based pop records of the last 10 years. Steeped in memorable melodies and jangling guitars set to stories of romance and nostalgia, the Volebeats' sound is simple and classic yet hard to forget once their songs have worked their way into your head. This 1997 release remains their best, highlighted by the heartbreaking ballad "Two Seconds" (later covered by alt-country chanteuse Laura Cantrell).
EmotionalismArtist: The Avett Brothers Release Date: 2007
It's not hard to find lively and talented young string bands these days, but few possess the magic spark of North Carolina's Avett Brothers (a trio consisting of two brothers and their bass-playing friend). Early on, the Avetts earned a reputation for transcendent live performances but never quite seemed to reach that same level in the studio. On Emotionalism the pieces finally came together; they put less emphasis on trying to document their stage persona and instead concentrated on the considerable pop potential of their songwriting. The result is an album that marries Beatlesque melody to old-time/folk/bluegrass instrumentation with the Avetts' punk roots showing in attitude and energy.
Universal United House of PrayerArtist: Buddy Miller Release Date: 2004
If an MVP award for alternative-country were to be awarded for the last decade or so, it would almost certainly have to go to Buddy Miller, whose credits range from playing guitar on major records by Emmylou Harris, Steve Earle and Lucinda Williams to producing albums for the likes of Solomon Burke and Jimmie Dale Gilmore to co-writing songs for mainstream megastars such as the Dixie Chicks and Brooks & Dunn. Notwithstanding all that, Miller's primary asset is his voice; he's one of the great country singers of his time, even when he's tackling decidedly non-country material -- as evidenced by his landmark cover of Bob Dylan's "With God on Our Side" on this record, his career best.
Time (The Revelator)Artist: Gillian Welch Release Date: 2001
In retrospect, this record's darker themes seem to echo with the gravity of 9/11, though in fact it was released a few weeks before that fateful day. Coincidental prescience aside, Time (The Revelator) stands as Gillian Welch's crowning achievement to date, loaded with emotionally resonant lyricism lit afire by the brilliant musicianship of her partner David Rawlings. Previous albums proved Welch's mastery of traditional form and feel; on Revelator, she and Rawlings struck a more personal chord of artistic expression. The result, from the spellbinding title-track opener to the epic 14-minute closer "I Dream a Highway," firmly established the duo as one of the major talents of their generation.
Wednesday, April 2, 2008
Stephen Malkmus' Fantasy Baseball Preview - eMusic Spotlight
While most people know Stephen Malkmus for his amazing solo work and, of course, Pavement, few know him for his real talent: fantasy sports. Indeed, among that rarified breed who love fantasy sports and indie rock equally, Malkmus is legendary for "Summer Babe," Crooked Rain, Crooked Rain and regularly winning fantasy baseball and football championships in leagues stocked with fellow indie luminaries. During a recent phone conversation pitched as a discussion on his excellent new album Real Emotional Trash, we instead went deep into Malkmus' feelings on the upcoming MLB season, the NBA and some ending touches on living in New York. Below is the conversation. EMUSIC: I was thinking we could just talk about baseball today if that's cool. MALKMUS: Totally. Sounds great. So who's your team? The Dodgers, just from growing up in Los Angeles. But anybody who is playing against the Red Sox and anyone who is playing against the Yankees is my team. I like the Mets, also. And I like the Diamondbacks, the Brewers. How do you feel about Ryan Braun? I love Ryan Braun. He was incredible last year. He's kind of can't-miss. I know they're thinking of moving him to the outfield. He's bad at defense, but from a fantasy perspective he's gold. He's unbelievable. They're picking him 13th or 14th [in fantasy baseball drafts]. He seems a little unproven for that high. I agree, but I was really dumb last year. Someone dropped him and I could've had him after a couple of weeks. I got Hunter Pence that same way, but I guess you can't get both Hunter Pence and Braun. Too unfair in an NL-only league. If you're in NL only, Ryan Braun is like A-Rod or something. Yvonni Gallardo from the Brewers, too. He's a great young player, too. I guess he's hurt until late April, but still. Well despite being a mediocre team, the Brewers are great for fantasy. Corey Hart, Prince Fielder. I love Corey Hart. I drafted him last year and I fucking traded him because he didn't play for the first half of the year. It's not like I didn't get anything in return — I won the league in the end. [Matador Records owner] Gerard Cosloy did this league where there were 12 categories – like, "blown saves" were a category. It's a really dumb category for NL-only. It's fine for a mixed league because you only have closers on your team, but in a league like that, if a closer blows a save it's cool, but you have middle relievers that come in with the bases loaded and one out because somebody else screwed up and they get a blown save. They do a great job and get three outs, but they let one run through. It's really frustrating. How's Gerard as a fantasy player? He doesn't put enough work into it to win, but he's got good talent. It's a grind. It was an autodraft and I totally got the worst team. It's an NL-only with 14 teams and there weren't even enough middle infielders. Maybe it was 13. But unless you got lucky in the autodraft you got stuck with some utility guy as one of your infielders. Is this a league where Brad Ausmus is actually a starter? He starts. In fact I think I had him. Some guy in our league liked him. It was weird. I had to completely retool my team because I made some mistakes. I traded Jason Schmidt. I got Adrian Gonzalez for him right away, which was smart. But then some guy who didn't have any pitching wanted to trade me Hanley Ramirez for Ben Sheets and I had just made that other trade and decided I needed Sheets. Sheets had just pitched that first game of the year and was on fire. It's so hard to trade when someone does that. I had Brandon Webb but I thought I needed two to kick ass. Do you only do NL-only? I did a public league also, but I didn't really pay attention to it. I like NL-only the best. How long has this league been going on? Four or five years. It's been going on longer than me: I joined four years ago. But it's sorta casual because they don't have an online draft, but this year we are finally because everyone's like, "My schedule's too busy!" I don't understand that, because if you are going to have a 162-game season make time for the thing that's actually the most fun part of the whole league. I don't understand. So there are four people who don't pay attention, but I try not to trade with them just to be fair. You have to prey on those people. Occasionally you do. Late in the year I did this thing where I traded for Brett Myers… Did you feel conflicted about having Brett Myers on your team? He's a bad man. He's a bad redneck. There's this guy that I did an interview with who covers Philly. He's friends with the whole team, and he says they're all awesome — except for Brett Myers. He says he's a dumb redneck. Well two years ago or so he got caught beating his wife or girlfriend in front of a hotel in Boston. Oh man. That's not good. In the basketball leagues there are some guys who I won't pick because I just don't like them. Like Joaquim Noah. I don't like that guy. What do you have against him? His look, and the fact that he played for Florida. It comes a little too easy for him. Have you adopted the Blazers out there? Yeah I love them. I never loved them like my friends do, but this year some of the guys are fun. Like Travis Outlaw, you can't help but to root for him. An exciting young player. [Baby cries in the background] What's the matter, you want milk? Sorry, my kid's bumming. She's sick and I'm on double-duty. The games are fun. Even when they're sold out they don't feel like they're sold out. Has the interest dropped off as they have struggled? Not for me. The games still sell out. We all want them to lose so they'll get a better draft pick, really. Do you think they should keep LaMarcus Aldridge? I'm not a big fan of Aldridge myself. I think he's kind of soft. I would trade him if we could get something for him. He's had a good couple of weeks here lately. Jarret Jack is good, but they need a point guard. They could have had Chris Paul but they drafted Martell Webster. But that was the old management. Can you imagine Chris Paul on this team? What about Oden? Do you like the mohawk? I'm not a fan of Oden or that draft pick either, but I can understand why they did it. I would have taken Durant right away. I don't trust this Oden guy, and he got injured right away. For me, if he gets 9 points and 9 rebounds and 1.4 blocks through his career, I'll be happy. That's his ceiling, I think. He's not Dwight Howard. He's slow and old. He's an old 19. He's old even though he's young. Did you see his blog post about Obama? Before the Ohio primary, Obama called him and they had a five-minute conversation, where Obama talked about how good Outlaw and Jack and Aldridge looked but how they'd need him next year. He really knew the team like a real basketball head. He also gave Oden grief about the mohawk. That's cool. That's cool. I don't mind the mohawk. They're dumb, mohawks. The singer of my punk band got a mohawk. That's the most popular we ever were. People were thrashing when they were just standing there when he had normal hair. It really was the visuals: "Wow, they're a real punk band! We better pogo or whatever." People care about Matt Barnes with the hair and the neck tattoos. He's a loser. I like his game. I don't like him. I want Biedrens to come back. He's holding me down. I need him back. I don't like Baron Davis. He's so lazy. He's a great player when he tries, but you see when he tries to hot dog it. Somehow he always ends up with 25 points and six assists even when he's not trying, so he's great, but I just don't like the guy much. Monta Ellis though, that's a game I'm a fan of. That kid is awesome. I love that kid. Have you seen him play? Absolutely. He's fearless, takes it to the hole… He's like a Dwayne Wade that doesn't get hurt and do fake flops. Amazing. He's more like Iverson. He's so cool. How do you feel about the Knicks? I was a big fan of the Knicks when I lived in New York. I'd go to the games. I want them to be good, but this whole Isiah thing is so awful. I don't know why he's still there. I don't read the papers out there that much, so I don't know what James Dolan is smoking. There are some players there: David Lee, obviously, and Jamal Crawford. I love Crawford. He's from Seattle. He's so cute. A little waterbug. He can score like a real scorer — he can obviously throw bricks for a night, too. Nate is fun, too. I'm a huge David Lee fan. I wish they'd play him more. There's so much to get rid of, mainly Zach Randolph and Eddy Curry. I think it was smart to get Randolph considering what they gave up. It hasn't worked out, but if you had asked me before the season I would've said, yeah, you've gotta try that. He is a 20-10 guy. He might decide to try. And Quentin Richardson is cooked. His divorce, or whatever is going on with his superstar wife is pissing him off or he's just old, but he's gotta go. They've been winning games lately, though! I think they'd be better off holding auditions on West 4th St and say, "Here are your new Knicks." The Marbury thing was ridiculous. You gotta stay away from him with a ten-foot pole. What's your fantasy baseball team called, by the way? Are you a clever name guy? They're different every year. I can't remember what I was last year. The draft is coming. I'm excited. I haven't had a chance with the kids and stuff to do any research, but I can just go to Rotoworld for three hours and I'll know who my sleepers are without even doing my own research. Clay Buchholz will be a monster. Well I'll pick him! It's an obvious one, but the guy from Philly who I did the interview with says Cole Hamels. He's already a star, obviously, but he's working on a fifth pitch — he's gonna have a changeup, better curveball. Bump him up even though he's an injury risk. I'm hoping John Maine can do it again. Maybe he'll have a little less pressure with Santana there. Who knows. Do you like the Mets? Yeah I'm a Mets fan. All the Matador guys are. They're huge into the Mets. They go to games occasionally and get into trouble. They're really good fans. I picked them up back in the '90s when they weren't so good. I'm excited. They've got the old question marks like always with Alou and Delgado, so I don't know what to say about them. You've gotta be excited about Santana. That guy is unbelievable. You gotta do it now. That guy pitching in Shea, it's gotta be great. Do you have a favorite for the Series this year? I haven't thought about it much yet. Still in basketball. But the Diamondbacks are solid. Getting Danny Haren was a steal. That was a great move. And if Byrnes is good again — he proved everyone wrong with that second half last year — and maybe Justin Upton, who won't be unbelievable but will be one day. And Conor Jackson is a good sleeper guy to pick, too. First baseman. So I like them in general. They have an offensive park, so a lot of stats come out of that place. There's of course an indie rock sports community, but by and large it's not the norm. Have you ever gotten shit for that? Not really. You can be a role model for other people that felt persecuted for liking sports but also something as feminine and soft as music. I find all the time people are coming up to me, people in other bands, that are into it. Plus in Europe there's not the same dichotomy. If you're British you like football — doesn't matter if you're in Blur. There'll be somebody who's like, "I fucking hate sports. I hate lad culture!" There will be that person, but most people will follow the footie. When I was in a punk band in California in the '80s I liked sports, too, from my dad, but that was the jocks against the punks. It totally was. It was Coors Light-drinking aggy guys who wanted to kick our ass. But we played soccer and tennis. The "fag" sports. Exactly. I couldn't play baseball. I was afraid to play baseball by that age when they were throwing that hard. If I knew they were throwing down the pipe, but they weren't. They were wild. Do you play softball? I do. We have a team sponsored by this art collective. It's got members of the Joggers and the Shins on the team. And we were very fortunate to win our division. It's a bar league. It was a really fun summer last year — I don't know how much I'm going to be able to do this summer because of touring stuff. It was the first time I played organized softball. [The great thing about softball is that] there's beer being drunk during the game and it's no big deal. Although during our championship game it became pretty competitive. To the point where I didn't have to be competitive because everyone else was. It was nice having other people playing that role. "Come on!" We were tied in the fourth inning and someone cracked open a beer, and someone else goes, "They're just drinking Red Bull on the other side! Can't it wait until after the game?" I was like, "Come on! Who fucking cares! It's a beer!" Are you competitive? Yeah! If no one else was competitive on the team — You would be the dick. I wouldn't have been the dick, but I would have been saying, "some spirit here!" Even if it was mock. But I didn't have to because there were some serious indie hormones. Testosterone, I mean. That's what summer's about. It's the best time. I love the summer so much, especially where we live. I can't wait for it to come. How long did you live in New York? From '90 until '97. Where did you live? First I lived in Jersey City, then Hoboken and then I lived in Williamsburg and then Greenpoint. I never really made it to the big city until later. Now we have an apartment there that my wife bought and we sublet it. I was there for the early Williamsburg… The first influx. Yeah, or the second or whatever. There were real older artists, 32 year olds who were there and we came in '91. "It's okay, you can come here!" Other areas of Brooklyn were comparatively scary. For me, coming from Virginia and California, Hoboken just seemed totally safe. I moved to New York from Williamsburg, Virginia, where I went to school. Grew up in Blacksburg and went to William & Mary. Wow, Blacksburg. Steve, the drummer of Pavement, lives near there, where Washington & Lee is, whatever that town is called. He's lived there for 12 years now in the middle of nowhere. He has a farm, this abandoned mansion type thing. It's beautiful. It's isolated though, obviously. When I moved to New York I didn't know much about it — "wow this is a big city" — but once you get used to it people are nice, not that much to be afraid of. A little more in 1991 obviously. Now I'm sure it's just, you know you graduate from Mississippi State and move straight there and you're like, "alllllright!" How did you like UVA? Was it super conservative? We found our niche, it just took a while. All you need is five or six cool people and it's fine. There's five or six there. There was an alternative to the frat world. There were some Grateful Dead sorta drug fraternities — Sigma Nu — and you'd go there for concerts with weird bands playing. It was a fraternity, but they were more into whippets. They weren't into whipping they were into whippets. That's how you'd go to a party that wasn't at your own house. But there was college radio, and people in my freshman dorm. They weren't the same kinda people as me, but they weren't pledging, rushing or Young Republicans. It was fine. There were probably better places for me, but it was fine. The only other thing I was going to ask was about books. Just what you're reading. I read this book The Worst Journey in the World. This book about the Scott polar exploration that went for the British. It's written by this guy… I think I liked his name. He's called Apsley Cherry-Garrard. That was quite good. And then I read this really gnarly book called A Sunday in the Pool in Kigali. It's about Rwanda a little bit, the genocide. It's by this guy from Montreal named Gil Courtemanche. It's really gnarly. A bunch of people getting their limbs cut off, but it's literature. I dunno. I guess I'm just really into S&M lately.
Monday, March 31, 2008
FREE eMusic Mp3's
Id like to Tell My Friends about downloading 30 free Mp3's. Legal, helps great bands that are into share and share alike.
Friday, March 21, 2008
Master Lead Guitar solos with Ease using Guitar Backing Tracks » eBusiness News » Free Articles Directory
Join us as we examine the ways you can master guitar solos by using backing tracks for guitarists. We will look into how using guitar backing tracks can be a huge asset in honing your skills as a guitarist as well as helping you to master lead guitar playing.
A lot of guitar players spend their time trying to find the secret, the easy solution or the single trick to mastering their skills and being able to play really awesome guitar solos. Serious guitarists will spend hours practicing, honing their skills, and searching and scouring the Internet for any lessons that might help them achieve the perfection in their technique. Others may research endless on the type of pickups, the different tones or guitar effects review to take their sound to the next level. Practice is the key to mastery and enjoying your practice sessions is the answer to keeping the focus and commitment for guitar practicing. There is hope for these individuals, in the form of guitar backing tracks.
Backing tracks for guitarists are a crucial tool that can be very beneficial in achieving mastery of the ever elusive lead guitar solo. It also serves as a great and fun way to practice your guitar. Guitar backing tracks can help you to become a well-rounded guitarist and help to put into practice your musical knowledge.
One of the biggest benefits of using guitar backing tracks to master guitar solos is how they help you learn scales. Doing endless practice drills to learn your scales can sometimes be excruciatingly boring and dull, but when you practice along to backing tracks for guitarists, it’s like playing live with a rocking band. This will help you to not only memorize the scales, but to understand how they actually work into the structure of a song as well.
Another factor that is extremely important in learning to master guitar solos is the fine art of improvisation. Backing tracks for guitarists provide the student with a live band to back them up while they piece together a blazing hot solo right there on the spot. This also allows you to place a solo anywhere in the song, or to improvise for the full length of the guitar backing tracks. These backing tracks make improvisation practice a whole lot more productive and fun. These backing tracks for guitarists are available from retailers such as Planet of Rock.
Another important part of mastering guitar solos is playing with clarity and great tone. There are a lot of different factors that play into achieving a smooth, great-sounding tone during your solo, but one of the greatest factors is how well you actually play. Guitar backing tracks can help you to achieve great tone by helping you to hone your own ability to play well and by greatly improving the clarity with which you play. Hearing another guitar behind you, and how well it sounds and how clear it is can be very beneficial to helping you achieve a greater depth of clarity in your own playing.
A lot of guitar players spend their time trying to find the secret, the easy solution or the single trick to mastering their skills and being able to play really awesome guitar solos. Serious guitarists will spend hours practicing, honing their skills, and searching and scouring the Internet for any lessons that might help them achieve the perfection in their technique. Others may research endless on the type of pickups, the different tones or guitar effects review to take their sound to the next level. Practice is the key to mastery and enjoying your practice sessions is the answer to keeping the focus and commitment for guitar practicing. There is hope for these individuals, in the form of guitar backing tracks.
Backing tracks for guitarists are a crucial tool that can be very beneficial in achieving mastery of the ever elusive lead guitar solo. It also serves as a great and fun way to practice your guitar. Guitar backing tracks can help you to become a well-rounded guitarist and help to put into practice your musical knowledge.
One of the biggest benefits of using guitar backing tracks to master guitar solos is how they help you learn scales. Doing endless practice drills to learn your scales can sometimes be excruciatingly boring and dull, but when you practice along to backing tracks for guitarists, it’s like playing live with a rocking band. This will help you to not only memorize the scales, but to understand how they actually work into the structure of a song as well.
Another factor that is extremely important in learning to master guitar solos is the fine art of improvisation. Backing tracks for guitarists provide the student with a live band to back them up while they piece together a blazing hot solo right there on the spot. This also allows you to place a solo anywhere in the song, or to improvise for the full length of the guitar backing tracks. These backing tracks make improvisation practice a whole lot more productive and fun. These backing tracks for guitarists are available from retailers such as Planet of Rock.
Another important part of mastering guitar solos is playing with clarity and great tone. There are a lot of different factors that play into achieving a smooth, great-sounding tone during your solo, but one of the greatest factors is how well you actually play. Guitar backing tracks can help you to achieve great tone by helping you to hone your own ability to play well and by greatly improving the clarity with which you play. Hearing another guitar behind you, and how well it sounds and how clear it is can be very beneficial to helping you achieve a greater depth of clarity in your own playing.
Saturday, March 15, 2008
eLearners.com Equals At Home Opportunity For Online Teaches Degrees
Posted by
Craig Fishburn
at
12:24 AM
Labels:
education,
teachers degree,
teaching degrees,
teahing degree
0
comments
No doubt there are those of you that have thought of either going back to school to earn your teaching degree, or have wondered how realistic obtaining a teaching degree maybe. Perhaps you went to school and just need a few more classes, hey life happens. Baby's, financial situations or a myriad of other situations side track the education of responsible adults like you everyday. Well eLearners.com makes earn teaching degrees a reality, even if you are working full time, or parenting. They offer 335 accredited online education & teaching degrees from 54 accredited online colleges and online universities. All online degrees listed at eLearners.com hold accreditation by an accrediting agency recognized by the U.S. Department of Education and/or CHEA, the Council for Higher Education Accreditation. Don't hesitate, my sister in law teaches here in Maine and says she "has never been so happy" in her life. Visit today and take a look at all the teaching degrees they have to offer.
Tuesday, March 11, 2008
Monday, March 10, 2008
This game will help end world hunger, is free, and alot more
For each word you get right they donate 20 grains of rice threw the UN.It adds up quick, 4,768,969,790 grains in Nov. .
read more | digg story
read more | digg story
BlogUpp! - Connect smart
Boost incoming traffic to your blog effectively, have a wider online presence cost free, and discover new connections easily. No registration.
read more | digg story
read more | digg story
Sunday, March 9, 2008
Tuesday, March 4, 2008
Web Developer's Guide: How to Talk to Non Tech-Savvy Clients
Posted by
Craig Fishburn
at
10:19 PM
Labels:
client communication,
nerd stuff,
web design
0
comments
A simple article on how to communicate effectively with non tech-savvy clients/employers. Written for web developers, but applicable to many other fields.
read more digg story
read more digg story
Court Finds Model Innocent Based on Breast Size
“I used to hate my body so much, but it was my breasts that won in court”, Serena said.What was that chics name frome last frataday? Oh yeah Justice, she had a beautiful friend named Freedom I beleive.independentdaze.blogspot.com
read more | digg story
read more | digg story
Sunday, March 2, 2008
More teenagers ignoring CDs, report says - Los Angeles Times
More teenagers ignoring CDs, report says - Los Angeles Times
The other half of the stoty may pertain to families feeling the crunh of on herd of fuek prices, and a lack luster year for releases. Fredomremeber 9/10 cds sold at walmart.
The other half of the stoty may pertain to families feeling the crunh of on herd of fuek prices, and a lack luster year for releases. Fredomremeber 9/10 cds sold at walmart.
Name That Disease-F-in Great Lill Game
This is a fun lill time killer. A simple game where you are compared to the likes of Doogie Howser, sad about him turning into a coke head and all. Lets all do it at work on Feb 14, no not that, the game, it only takes a min, but we will collectively cost corporate USA Millions of dollars. Stick it to the man, you know you want to! Better then sex!
read more | digg story
read more | digg story
Meet The British Teen Who Could Only Eat Tic Tacs..
Natalie Cooper can savour all things except good, scrumptious food, for all she can eat is Tic Tacs.
read more | digg story
read more | digg story
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